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There are no silences here: curators on 2018 programme

Published on 27 June 2018

The works on the Curated Programme at this year’s National Arts Festival give a vivid, multi-textured impression of our complex local reality, writes Artistic Committee Chair BRETT BAILEY

The Curated Programme is the core of the Main Programme of the National Arts Festival. From the open call for works submitted for consideration, each of the five curators of the Artistic Committee have selected works they felt were strongest within their genre of specialisation.

A collective interrogation of this shortlist brought to the surface a compelling network of underlying themes with which our artists are engaging in 2018: personal narratives and untold stories, memory and heritage, intersectionality and gender, outrage and resistance, collaboration and the spirit of reaching out. We elected to encompass these threads within the frame of VOICES AND SILENCES, curating a body of work that spans and crosses the genres of theatre, visual art, film, dance, music and performance art.

Upon consideration of all the works tabled –and having consulted with the curators’ advisors to flesh out and deepen the thesis – the curators have composed a programme of works that they feel addresses the ‘now’ in South Africa. We believe these works are thought-provoking, of a high calibre, and – if explored in dialogue with one another – will give a vivid, multi-textured impression of our complex local reality through the lenses of our diverse artists.

Some pieces are provocative, pushing artistic boundaries; others pay homage to artists that have broken ground in the past. Some speak with fury or grief, potency or celebration, from intimate or community perspectives; others embrace a collective plurality of voices. Most of the featured artists call to us from the margins of society, from beyond the sanitised cultural mainstream. Alerting us. Reminding us. Cracking the stifling silence. They share with us memories and rites, hopes and inspirations, frustrations and pain, across the divides in this era of relentless noise.

Brett BaileyBRETT BAILEY (left) is a South African playwright, designer, director, installation maker, as well as the artistic director of the performance company THIRD WORLD BUNFIGHT. His works include BIG DADA, IPI ZOMBI, iMUMBO JUMBO and ORFEUS (a reworking of Verdi’s MACBETH), and EXHIBIT B. He headed the jury of the Prague Quadrennial in 2011, and the International Theatre Institute’s ‘Music Theatre Now’ competition in 2015. From 2008–2011, he was curator of Cape Town’s public arts festival ‘Infecting the City’. In 2014, he wrote the International Theatre Institute’s World Theatre Day message for UNESCO.

 

Artistic Committee members

What is on the programme?

Dance

AMAQHAWEBETWEEN HORIZONSIKHAYA | INTERPLAYKIU | UKUBONGA INHLONIPHO

Film

THE FOXY FIVE  | METALEPSIS IN BLACKMIXED SPACE | NOT IN MY NEIGHBOURHOODPROMISE LAND FALLACY | SKULLS OF MY PEOPLE | STRIKE A ROCK | VAYA | WINNIE

Music

CHORAL CONNECTIONS | MAHUBE | WITS TRIO PLAY SCHUBERT *

Performance Art

ELEGY | put your heart under your feet and walk… / To Elu | WALK

Theatre

GONE NATIVE – THE LIFE AND TIMES OF REGINA BROOKS | LA CHAIR DE MA CHAIR | WAIT… LINDA and IS HE MAD?

Visual Art

GATHERING STRANDS – Lionel Davies

Main image: Cristian Newman, Unsplash
*Regrettably, AFRICAN EXPLORATIONS has been cancelled

 

 

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